Chief's transcribed solo from Miles Davis's "Jazz at the Plaza" (1958) album. The ultimate "Rhythm Changes" solo. They probably haven't had live jazz at the "Plaza"(NYC) since.
Full description
Descrição: 109 pages of Coltrane patterns. Each pattern in 12 keys.
John Coltrane PatternsFull description
Descripción completa
John Coltrane's Resolution from A Love Supreme.Descripción completa
John Coltrane Patterns
John Coltrane live at a birdland. Transcription of his melody and part of solo. hope you enjoy the depth and strength of the master, mr. Coltrane.Descrição completa
Full description
109 pages of Coltrane patterns. Each pattern in 12 keys.Full description
Descripción completa
John Coltrane live at a birdland. Transcription of his melody and part of solo. hope you enjoy the depth and strength of the master, mr. Coltrane.Descripción completa
transcription of Coltrane impressions soloFull description
Lick de John Coltrane
II V I Lick 1) The Cmaj7 chord is anticipated in the second bar.
Licks de Mike Stern Rhythm Changes Lick 1) This lick is for a rhythm changes in Bb with a pick up to the 5th bar.
Dominant Lick 1) This lick is a rhythmical idea for a G7(#11) chord. The basis of the lick is an Fmaj7(#5) arpeggio, which gives us the following functions : b7 9 #11 13.
Licks de Pat Martinho Dominant Licks
1) The first lick is a V - I minor lick. If the second chord would be a major chord, change the last note to an 'e natural'.
2) This is a sixteenth note lick with a lot of chromatism.
3) This lick uses a simple rhythmic idea.
Minor Licks 1) This minor lick is build around a C major arpeggio, a common substitute for A minor.
2) This one is also build around a C major arpeggio.
3) This lick is a real classic.
Licks de Scott Henderson
Licks menores 1) Chromatism.
2) Pentatonic start, chromatic end.
Licks Dominantes 1) A lick in the G Mixolydian scale.
2) Rhythmic replacement of a pattern.
3) This lick starts and ends with the G Bebop scale.
Licks V-I 1) Notice the D7#9 chord shape.
Licks Para II-V-I 1) This lick uses a diminished scale in the second bar.
2) In this lick, the second part of the second bar is a Fm7b5 arpeggio. The third bar uses a C Lydian scale.
3) There's a B diminished scale in the second bar in this 2 5 1 lick..
Licks para II-V-I menor 1) You can think Dm6 over the Bm7b5 in this lick.
2) The E7 has a flat 9 here.
3) Also a flat 9 on the A7.
4) Recognize the em7b5 chord shape in the first bar.